The new novel from the Booker shortlisted author of The Northern Clemency An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence. There is time now to see the human dramas within a hundred yards (an abduction, a quiet breakdown, an outbreak of violence, a young mind beginning to stretch itself); to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands. Written in four parts, To Battersea Park explores the strata and sediment of a single place and time. It shows what brings us together, through love, through the clashes of what we want to do and what the world wants to do with us. Set in a large crowded city where we are forbidden to approach strangers, this is about what we share: humanity, imagination, and the love that emerges from many acts of telling.

A Small Revolution in Germany is about growing up, or refusing to accept what growing up means; it’s about the small dishonest pacts that people make with their own futures; and it’s about the rare and joyous refusal to be disillusioned. Everyone remembers what it’s like to be seventeen. The conversations you have; the ideas that burst on you; the kiss that transforms you. And then you grow up, and make a deal with adulthood. A Small Revolution in Germany is about that rapturous moment when ideas, and ideals, and passion crash over one boy’s head. And what happens in the decades afterwards? When you see the overwhelming truth when you are seventeen, why should you ever abandon that truth?   Spike is brought into a small, clever group of friends, bursting with a passion for ideas, and the wish to change the world. They smash up political meetings; they paint slogans on walls; they long for armed revolution; they argue, exuberantly, until dawn. In the years to follow, they all change their minds, and go into the world. They become writers, politicians, public figures. One of them becomes famous when she dies. They all change their minds, and make sensible compromises. Only Spike stays exactly as he is, going on with the burning desire for change, in the safe embrace of unconditional love. Alone from the old group, he is the only one who has achieved nothing, and who has never deviated from the impractical shining path of revolution he saw as a teenager. Thirty years on, photographs of the teenage group look like a bunch of celebrated individuals, with only one unknown face in it – Spike.

Jack Milroy: Cut Outs is the first substantial publication on the work of the prolific British artist Jack Milroy who has been active for over 50 years. The book explores Milroy's extensive artistic career, highlighting his repurposing of materials-from illustrated books and posters, to maps and packaging-as a means for creating expansive, yet intricate, artworks.Whilst often playful and humorous in nature, the works are often attentive of and make reference to monumental events and narratives, ranging from 9/11 to The Garden of Eden. Traces of Surrealism and the fantastical are also present within Milroy's creations, as well as references to modern technology, Pop art and the natural environment, all executed with impeccable skill and detail.Accompanying Milroy's works is an essay by William Packer, the former Financial Times Art Critic. Packer has written about the artist's work for many years and has an astute understanding of the work, exemplified in this new, specially commissioned text.

Winner of Australia's prestigious Miles Franklin Award, Cloudstreet is Tim Winton's great family drama, a twenty-year story of life and love, full of boisterous energy, joy and heartbreak. His visceral evocation of the Australian landscape is nowhere more extraordinary than in this classic. With an introduction by Philip Hensher. Will you look at us by the river! The whole restless mob of us on spread blankets in the dreamy briny sunshine skylarking and chiacking about for one day, one clear, clean, sweet day in a good world in the midst of our living. No. 1 Cloudstreet: a broken-down house on the wrong side of the tracks, a place teeming with memories, with shudders and shadows and spirits. From separate catastrophes, two families - the Pickles and Lambs - flee to the city and find themselves thrown together, forced to start their lives afresh. As they roister and rankle, the place that began as a roof over their heads becomes a home for their hearts.

With The Mulberry Empire, Philip Hensher, in his fourth book, has now happened upon a subject that suits his many talents perfectly. It’s a seemingly straightforward historical novel that recounts an episode in the Great Game in central Asia – the courtship, betrayal and invasion of Afghanistan in the 1830s by the emissaries of Her Majesty’s Empire, which is followed by the bloody and summary expulsion of the Brits from Kabul following an Afghani insurrection (shades of the Soviet Union’s final imperial fling in the very same country in the 1980s).

The novel has at its heart the encounter between West and East as embodied in the likeable, complex relationship between Alexander Burnes, leader of the initial British expeditionary party, and the wily, cultured Afghani ruler, the Amir Dost Mohammed Khan.

Shortlisted for the Booker Prize. It is 1912, and at Cambridge University the modern age is knocking at the gate. Fred Fairly, a Junior Fellow at the college of St Angelicus, where for centuries no female, not even a pussy cat, has been allowed to set foot, lectures in physics. Science, he is certain, will explain everything. Until into Fred's orderly life come Daisy. Fred is smitten. Why have I met her? he wonders. How can I tell if she's quite what she seems? Fred is a scientist. To him the truth should be everything. But even scientists make mistakes.

'Political intrigue, sexual chicanery, disappointment and betrayal [are] woven by Hensher into humane, elegant and alarmingly clever fiction…Dazzling.'
Jane Shilling, 'Sunday Telegraph'

'At the centre of 'Kitchen Venom' is John, a distinguished widower with a hump, two daughters and an important job in the House of Commons. He also has a fondness for visiting rent boys in the afternoons and a passion for secrecy…Sharp and funny, a beautifully polished performance.'
James Lakeman, 'TLS'

'Philip Hensher provoked controversy when he first published this, his second novel, about a clerk in the House of Commons who uses rent boys…The really shocking aspect of this book, however, is not the exposure of the Commons mores, but the sense of betrayal that pervades a seemingly normal middle-class family. What begins as a delicate social comedy becomes a tragic dissertation on sibling rivalry and a murder story to boot.'
Daniel Britten, 'Daily Telegraph'

'Remarkable…A stunningly intelligent, assured and compelling novel.'
Nicholas Wroe, 'Independent'

''Kitchen Venom' has a fierce originality; its atmosphere of loss and longing is quite unlike anything else.'
Jason Cowley, 'Observer'

'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday Times A spectacular treasury of the best British short stories published in the last twenty years We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day. Includes short stories by A.L. Kennedy, Tessa Hadley, Kazuo Ishiguro, Jackie Kay, Graham Swift, Jane Gardam, Ali Smith, Neil Gaiman, Martin Amis, China Mieville, Peter Hobbs, Thomas Morris, David Rose, David Szalay, Irvine Welsh, Lucy Caldwell, Rose Tremain, Helen Oyeyemi, Leone Ross, Helen Simpson, Zadie Smith, Will Self, Gerard Woodward, James Kelman, Lucy Wood, Hilary Mantel, Eley Williams, Sarah Hall, Mark Haddon and Helen Dunmore.

SHORTLISTED FOR THE MAN BOOKER PRIZE 2008. An epic chronicle of the last twenty years of British life from the Booker shortlisted and Granta Best of Young British novelist, Philip Hensher. Beginning in 1974 and ending with the fading of Thatcher's government in 1996, 'The Northern Clemency' is Philip Hensher's epic portrait of an entire era, a novel concerned with the lives of ordinary people and history on the move. Set in Sheffield, it charts the relationship between two families: Malcolm and Katherine Glover and their three children; and their neighbours, the Sellers family, newly arrived from London so that Bernie can pursue his job with the Electricity Board. The day the Sellers move in there is a crisis across the road: Malcolm Glover has left home, convinced his wife is having an affair. The consequences of this rupture will spread throughout the lives of both couples and their children, in particular ten-year-old Tim Glover, who never quite recovers from a moment of his mother's public cruelty and the amused taunting of fifteen-year-old Sandra Sellers, childhood crises that will come to a head twenty years later. In the background, England is changing: from a manufacturing- and industrial-based economy into a new world of shops, restaurants and service industries, a shift particularly marked in the North with the miners' strike of 1984, which has a dramatic impact on both families. Inspired by the expansive scale and webs of relationships of the great nineteenth-century Russian novels, 'The Northern Clemency' shows Philip Hensher to be one of our greatest chroniclers of English life.

'It's the book you should give someone who thinks they don't like novels ... Here is surely a future prizewinner that is easy to read and impossible to forget' Melissa Katsoulis, The Times The things history will do at the bidding of love On a warm Sunday afternoon, Nazia and Sharif are preparing for a family barbecue. They are in the house in Sheffield that will do for the rest of their lives. In the garden next door is a retired doctor, whose four children have long since left home. When the shadow of death passes over Nazia and Sharif's party, Doctor Spinster's actions are going to bring the two families together, for decades to come. The Friendly Ones is about two families. In it, people with very different histories can fit together, and redeem each other. One is a large and loosely connected family who have come to England from the subcontinent in fits and starts, brought to England by education, and economic possibilities. Or driven away from their native country by war, murder, crime and brutal oppression - things their new neighbours know nothing about. At the heart of their story is betrayal and public shame. The secret wound that overshadows the Spinsters, their neighbours next door, is of a different kind: Leo, the eldest son, running away from Oxford University aged eighteen. How do you put these things right, in England, now? Spanning decades and with a big and beautifully drawn cast of characters all making their different ways towards lives that make sense, The Friendly Ones, Philip Hensher's moving and timely new novel, shows what a nation is made of; how the legacies of our history can be mastered by the decision to know something about people who are not like us.

Winner of the Royal Society of Literature Ondaatje Prize, this is the new novel from the author of 'King of the Badgers' and the Man Booker-shortlisted 'The Northern Clemency'. "I was a baby during the war. We stayed inside for months. All my aunts took turns in feeding me. I couldn't be heard to cry. You see, there were soldiers in the streets. They would have known what a crying baby meant. So I had to be kept silent. No, not everyone came out of the war alive." One family's life, and a nation - Bangladesh - are uniquely created through conversation, sacrifice, songs, bonds, blood, bravery and jokes. Narrated by a young boy born into a savage civil war, 'Scenes from Early Life' is a heartbreaking, funny and gripping novel by one of our finest writers.

The new novel from the Booker Prize-shortlisted author of 'The Northern Clemency'. Hanmouth: a quiet, picturesque English seaside town. But behind closed, Georgian front doors and the within the artisan cheese shop, its residents live lives that are anything but. When an 8-year-old girl goes missing from the estate on the fringes of the town, Hanmouth becomes the centre of national attention. Under the scrutiny of the investigation the extraordinary individual lives of the community are laid bare: the passions of a quiet international aid worker; a recently widowed old woman's late discovery of sexual gratification; and a memorable party, held by the Bears. Through the apparent civility and spiralling paranoia a small town, Philip Hensher brings us another brilliantly funny and perfectly observed slice of contemporary English life.

Known for both its industrial roots and arboreal abundance, Sheffield has always been a city of two halves. From elegant parks and gardens to brutalist high-rise estates and the hinterland nightclubs of 'Centertainment', it is a city caught between the forges of the past and the melting pot of the present. Bringing together new short stories from some of the city's most celebrated writers, The Book of Sheffield traces the contours of this complex landscape from both sides of the economic dividing line. From the aspirations of young creatives, ultimately driven to leave, to the more immediate demands of refugees, scrap metal collectors, and student radicals, these stories offer ten different look-out points from which to gaze down on the ever-changing face of the 'Steel City'.

The most ambitious and daring novel novel yet from Booker Prize-shortlisted Philip Hensher. 'A novel that's almost fizzy to the touch ... A performance of extraordinary flair and majesty from a writer who seems capable of anything' Guardian 'The Emperor Waltz' is a single novel with three narrative strands: fourth-century Rome, 1920s Germany, and 1980s London. In each place, a small coterie is closely connected and separated from the larger world. In each story, the larger world regards the small coterie and its passionately-held beliefs and secrets with suspicion and hostility. It is the story of eccentricity, its struggle, its triumph, its influence - but also its defeat.

This is the first anthology capacious enough to celebrate the full diversity and energy of its writers, subjects and tones. The most famous authors are here, and many others, including some magnificent stories never republished since their first appearance in magazines and periodicals. The Penguin Book of the British Short Story has a permanent authority, and will be reached for year in and year out. This volume takes the story from the 1920s to the present day.

INTRODUCED BY PHILIP HENSHER 'Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth. As a reader, I have found huge pleasure in returning to Taylor's novels and short stories many times over. As a writer I've returned to her too - in awe of her achievements, and trying to work out how she does it' SARAH WATERS A brilliant novel about the damage caused by relentless 'niceness'. Uncritical, encouraging, 'the soul of kindness', Flora's help is the cruelest hindrance to those who love her most. 'Here I am!' Flora called to Richard as she went downstairs. For a second, Meg felt disloyalty. It occurred to her of a sudden that Flora was always saying that, and that it was in the tone of one giving a lovely present. Elegant, blonde and beautiful, Flora has everything under control: her perfect home, her husband Richard, her friend Meg, adoring Kit, and the writer Patrick. Flora entrances everyone, dangling visions of happiness and success before their spellbound eyes. All are bewitched by this golden tyrant. Except, that is, for the clear-eyed painter, Liz, who can see that Flora's kindness is the sweetest poison of them all.

The loop of an "l," the chewed-on pen, letters tiny or expansive: what we've lost in the error of typing and texting
When Philip Hensher realized that he didn't know what a close friend's handwriting looked like, he felt that something essential was missing from their friendship. It dawned on him that having abandoned pen and paper for keyboards, we have lost one of the ways by which we come to recognize and know another person: handwriting.
"The Missing Ink "tells the story of this endangered art. Hensher introduces us to the nineteenth-century handwriting evangelists who traveled across America to convert the masses to the moral worth of copperplate script; he examines the role handwriting plays in the novels of Charles Dickens; he investigates the claims made by the practitioners of graphology that penmanship can reveal personality.
But this is also a celebration of the physical act of writing: the treasured fountain pens, chewable ballpoints, and personal embellishments that we stand to lose. Hensher pays tribute to the warmth and personality of the handwritten love note, postcards sent home, and daily diary entries. With the teaching of handwriting now required in only five states and many expert typists barely able to hold a pen, the future of handwriting is in jeopardy. Or is it? Hugely entertaining, witty, and thought-provoking, "The Missing Ink "will inspire readers to pick up a pen and write.

In the spring of 1839, some fifty thousand British forces entered Afghanistan with “the full pomp of Empire,” possessed of the certainty that they would replace the Amir with someone less hostile toward their ally, the King of the Punjab. Three years later, a single British horseman rode out of the Afghan mountains into India—the sole survivor of the original vast contingent. The Mulberry Empire is the magnificently told story of this conflict—of the events that surrounded it, of the politics and people on both sides, of the passions and pride that led to the destruction of the British and the triumph of the Afghans.

At the center: Alexander Burnes—a British explorer who ventures into the fabled city of Kabul, befriends the all-powerful Amir, and returns to England a hero. The bearer of amazing stories, he is unwitting emissary to and from both nations, neither of which can see how his impressions will change their worlds. And there is Bella Garraway, whose upper-class, predictable life will be wholly undone—leaving her with nothing, and then everything—when her path crosses Burnes’s. Around them, a superbly wrought cast of characters: English, Russian, Indian, Afghan, Persian—a shifting universe of men and women, the powerful and the pawns, caught in a vortex of history.

Spanning a decade and moving between London and Calcutta, St. Petersburg and Kabul, The Mulberry Empire is a brilliant synthesis of fact and imagination, as rich in the details of history and place as it is in the complexities and drama of human nature. It is an unexpectedly timely, masterful novel of fidelity and dreams, belief and chance, an epic of empires built and lost, and built again.


From the Hardcover edition.

Ten daring stories from 'a writer who seems capable of anything' (Guardian), the Booker Prize-shortlisted Philip Hensher Backdrops vary in this collection of stories from the author of The Northern Clemency - from turmoil in Sudan following the death of a politician in a plane crash, to southern India where a Soho hedonist starts to envisage the crump and soar of munitions. Each story, regardless of location, reveals a great writer at the peak of his powers.

'A bold anthology ... alive with provocations and insights' John Carey, Sunday Times 'The Boy-scouts mistook my signal, and have killed the postman. I've had very little practice in this sort of thing, you see' The British short story tradition is probably the richest, most varied and historically extensive in the world. This new anthology celebrates the full diversity and energy of its writers, subjects and tones, from the story's origins with Defoe, Swift and Fielding, to the 'golden age' of the fin de siecle and Edwardian period, ending with the First World War. Including the most famous authors as well as some magnificent, little-known stories never republished since their first appearance in magazines and periodicals, these stories are by turns topical and playful, ghostly and theatrical, rumbustious and sublime. Edited with an introduction by Philip Hensher

School is 'wet and weedy', according to Nigel Molesworth, the 'goriller of 3B', 'curse of St Custard's' and superb chronicler of fifties English life. Nothing escapes his disaffected eye and he has little time for such things as botany walks and cissy poetry with an assortment of swots, snekes and oiks. Instead he is very good at missing lessons, charming masters and putting down little brothers, in fact he is exceptional at most things except spelling. Wildly funny and full of sharp observations on life, the Molesworth tetralogy is magnificently complemented by the illustrations of Ronald Searle.

A Small Revolution in Germany is about growing up, or refusing to accept what growing up means; it's about the small dishonest pacts that people make with their own futures; and it's about the rare and joyous refusal to be disillusioned. Everyone remembers what it's like to be seventeen. The conversations you have; the ideas that burst on you; the kiss that transforms you. And then you grow up, and make a deal with adulthood. A Small Revolution in Germany is about that rapturous moment when ideas, and ideals, and passion crash over one boy's head. And what happens in the decades afterwards? When you see the overwhelming truth when you are seventeen, why should you ever abandon that truth? Spike is brought into a small, clever group of friends, bursting with a passion for ideas, and the wish to change the world. They smash up political meetings; they paint slogans on walls; they long for armed revolution; they argue, exuberantly, until dawn. In the years to follow, they all change their minds, and go into the world. They become writers, politicians, public figures. One of them becomes famous when she dies. They all change their minds, and make sensible compromises. Only Spike stays exactly as he is, going on with the burning desire for change, in the safe embrace of unconditional love. Alone from the old group, he is the only one who has achieved nothing, and who has never deviated from the impractical shining path of revolution he saw as a teenager. Thirty years on, photographs of the teenage group look like a bunch of celebrated individuals, with only one unknown face in it - Spike.

'Excellent, entertaining and ingenious ... from Oscar Wilde to Arthur Conan Doyle, this fine anthology celebrates one of the richest moments in Britain's literary history' Sunday Times The quarter century or so before the outbreak of the First World War saw an extraordinary boom in the popularity and quality of short stories in Britain. Fuelled by a large new magazine readership and vigorous competition to acquire new stories and develop the careers of some of our greatest writers, these years were ones where the normal rule-of-thumb (novels sell, short stories don't) was inverted. This was the era of Sherlock Holmes, of Kipling's most famous stories, of M. R. James, Katherine Mansfield and Joyce's Dubliners. Some of the greatest writers of the period - particularly Conrad and James - found that the effort that went into their shorter works was more rewarded during their lifetimes than their now famous novels. Writers such as Mansfield, Chesterton, Beerbohm, Lawrence and Saki produced some of their greatest work. Short stories also provided a brilliant medium for experiment, and this generous and endlessly entertaining anthology includes fascinating examples of writers as varied as Rebecca West, James Joyce, H.G. Wells and Wyndham Lewis experimenting with what it was acceptable to write and how you could write it.